Alfred Hitchcock by Those Who Knew Him Best

2 08 2011

With the book “It’s Only A Movie,” writer Charlotte Chandler presents an intimate portrait of Alfred Hitchcock through interviews with his family, friends, colleagues, and Hitchcock himself.

Published in 2005, the book provides perspectives on Hitchcock’s moviemaking genius from dozens of sources, especially Alma Reville Hitchcock and Patricia Hitchcock O’Connell, and so many others as well: stars like James Stewart, Cary Grant, Joan Fontaine, Marlene Dietrich, Martin Landau, James Mason, Jane Wyman, Ingrid Bergman, Henry Fonda, Tippi Hedren and more, who discuss Hitchcock’s delight in finding new ways to call actors cattle, usually just to get a rise out of them; his on set personality that veered from bawdy to bored; and his attention to every last technical detail.

But it’s in the interviews with the behind the scenes people that Chandler digs up new gold. Former writers and cameramen, for example, have less reason than a movie star does to speak discreetly, and while the book does not air much dirty laundry, there is some frank discussion from Hitch’s early screenplay collaborator, Charles Bennett, cameraman Jack Cardiff, production designer Robert Boyle, or actor/collaborators like Hume Cronyn and Norman Lloyd.

By going straight to the source – Hitchcock himself – Chandler reveals some interesting tidbids, like the fact that Hitchcock’s very first cameraman, Gaetano di Ventimiglia, sometimes credited as “Baron di Ventimiglia,” really was a baron. She also provides insights into Hitch’s relationship with Alma; although intensely private in his marriage, we learn that in their early years, Hitchcock called Alma “kitty,” but by the 1970s, he referred to her somewhat ironically as “the madame.”

Chandler goes beyond Hitchcock in “It’s Only a Movie.” In describing Hitch’s one outing with Marlene Dietrich, “Stage Fright,” she neatly delineates Dietrich’s entire career, from screen icon to chatty recluse, including a lengthy digression on Dietrich’s affair with Douglas Fairbanks Jr.

While not as in-depth a biography as some, “It’s Only a Movie” is rightly subtitled “A Personal Biography.” A such books go, they don’t get much more personal than this one, and it’s as close to Hitchcock as most readers as likely to get.






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